Sandra Ramos

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Nunca antes había existido una convicción tan dudosa y generalizada de lo que hasta ahora hemos denominado arte. Algo que nos obliga a repensar los procesos definitorios del valor y el sentido que tiene para nosotros la creatividad artística.

SANDRA RAMOS transforms herself endlessly through her work. As a red-uniformed niña pionera (pioneer girl), during the early ‘90s, she explored the limits of her island world as a public school student (described by her as “andar sin pies ni manos”, “advancing without hands and feet”) in post-Revolutionary Cuba.

For years, ARTnews has listed Columbus businessman and arts advocate Ron Pizzuti as one of the world’s top art collectors. Recently, he decided to make his extensive collection of contemporary art accessible to the public.

Having been spirited out of Havana while still in cloth diapers, way before Cuban mothers had discovered disposables, I was eager to catch Sandra Ramos' "90 Miles: Living in the Vortex" at Dot Fiftyone Gallery.